| Michael
James has been shooting photographs since he was 9 years
old (he purchased his first 35mm camera
the Fall of the first year of his first job, delivering papers). At 13 he was
shooting many subjects including a 12 year old named Tony
Hawk. He continued shooting regularly through jr.
high & high school with journalism, yearbook and photo classes. After
high school it took a few years till he believed he was skilled enough to enable
him with the ability to satisfy his appetite for living and need for the real
life (a career). By 1991 he had
spent 2 years in college learning the technical skill and understanding of the
camera obscura, the inverse square root law of light fall off, the limits and
adeptness of films, perspective corrected/yaw free large format photography and
why strobes are made with capacitors.
So at 24 he
sought out work. At this time the typesetting & graphic design community were
experiencing rapid change. Michael knew photography was next. His first real encounter
with the world of photographic digital imaging was November 92 with Kodak's advent
of the PhotoCD. At that time even a 386 DX40 with 4MB Ram was fast (and expensive!).
So with his mentor & friend Matthew Kiwala, (http://www.magicink.com) to sponge
info on computers from, and the needs of promoters who were willing to pay for
graphically intense fliers,
Michael began a path down the unconventional. In
October of 95, after another revelation of confidence (and a small investment)
he opened Photo-Synthesis.
The direction of this effort was to enable image creation and publishing with
new technology. The foundation was simple: get client direct work through multiple
services. The
path has been quite an education and has only just begun. With
the turn of the millennium Michael's plans are to concentrate more on his first
love of photography. With the publishing of Michael
James Image to market his skills for even more assignment work
as well as to distribute and publish his stock
files of over 30,000 images shot over the last 20 years. |